Wednesday, November 14, 2012
Saturday, June 23, 2012
Saturday, June 09, 2012
great art
That is why people with loads of money want to possess it.
That's why it's worth so much fucking money.
But it isn't.
They want to possess it.
But you can't.
Throw money at art, you get nothing back.
You die."
-- On the Way to Work by Damien Hirst, Gordon Burn
more Hirst
Sunday, June 03, 2012
Wednesday, June 15, 2011
I Am So Starving
I Am So Starving
BY BRITTANY BIRNBAUM
Oh, my God, I am so starving. I swear, if I don't get something to eat in like two minutes, I am going to die. I cannot believe how completely famished I am. Why do we have to wait for Tyler to get home from soccer practice? I want to eat now. It's almost 6:15. I didn't even get to eat lunch today. Erica and I had to sign up for kickline tryouts at noon. We got to the cafeteria way late, and we weren't about to stand in line with the sophomores. All I had was a Twix and half a bag of Fritos. Plus, the stupid machine was out of Diet Coke. No, I did not still have those carrot sticks left at lunch. I ate them all after second period. Duh. Did you hear that? I can totally hear my stomach making these weird growling noises. I think I'm going to faint. Please, please, please let me eat now so I can go up to my room--I have a ton of people to call tonight. It's so lame how you make us all wait to eat dinner together. Erica always gets to eat by herself in the living room with the TV on. If we're going to wait this long for Tyler, he has to load the dishwasher. I did it last night, and it was totally nasty because you made that lasagna, and I had to scrape all the gunky cheese off the pan. I am so totally starving. You know, it's against the law to treat your kids like this. You could get thrown in jail by the social-services people for this kind of abuse. Oh my God, what are you taking out of the oven? Is that, like, salisbury steak? I could seriously puke just looking at that. You actually expect me to eat that? Yeah, right. Like I'm really gonna put that in my mouth. I'll be in my room if I get any phone calls. Ugh. I swear, I could just die.Counterpoint
I Am So Starving
BY KITUM ASOSA
My God, I am starving. If I do not find something to eat soon, I will surely die. Hunger consumes my life. My young body is hunched and weak, as if I were an old man. Some days, I pass the time by counting my bones. I would walk 100 miles through the desert to reach a handful of millet. The sight of a sparrow carcass would make my mouth water, if only I were not too dehydrated to salivate. I have not eaten a full meal since the last rain, which caused a few precious patches of field grass to sprout. Soon, there will be none of us left. I am so very, very hungry. I grow thinner and thinner, as my body starts to digest its very self. The last thing I ate was a small lizard. This was nine days ago. I gave half of it to my only remaining brother. I did this to return a favor: Last month, he discovered a piece of tree bark and shared his bounty with me. Unfortunately, my body was so unaccustomed to food, I was soon doubled over in pain, as a flood of liquid shot from my bowels. Ever since then, my rectum has protruded from my anus. My lower intestines have begun to push their way out, as well. They say it is almost the new year, but I do not know if I will live to see it. My stomach is swollen as if I were pregnant. I joked with my brother about this yesterday, rubbing my bloated belly and calling it "my little one." My brother did not laugh. He lowered his head and cried. My legs are like sticks and my eyes nearly sightless. I am careful not to allow myself to daydream about the harvest feasts of my youth, for my weak heart might race and burst in my chest. Those who are still alive have taken to swallowing dirt and rocks in an attempt to stop the hunger pains. Oh, God, why are we made to suffer so? My only distraction from the constant, gnawing hunger is the chill that runs through my bones. Even in the sweltering heat, I am cold. Perhaps I will soon die of pneumonia. This would finally quell the pangs of hunger. I long to live, but, even more, I long to die.
SOURCE: http://www.theonion.com/articles/i-am-so-starving-vs-i-am-so-starving,11541/
Tuesday, June 14, 2011
Sunday, June 05, 2011
I'm Not Dead Yet.
Sunday, May 15, 2011
Old person responds to a young person's plea: "My friend just died. I don't know what to do."
Wednesday, May 11, 2011
Monday, February 14, 2011
Saturday, January 15, 2011
How to Write Your Own Kick Ass Obituary
Friday, December 31, 2010
Sunday, November 28, 2010
Tuesday, February 02, 2010
Saturday, January 16, 2010
stay or leave
Sunday, August 02, 2009
Absence

Until recently, one could actually achieve absence. One could go somewhere and be gone. The traveler would send postcards. The postcards would have pictures of beaches or statues. They would be eagerly awaited and gratefully received. Absence was simple. It was an absolute condition, soon relieved by presence. Presence was also an absolute condition.
No more.
Now absence and presence are contingent and variable, matters of degree and form. A person may cease responding to e-mail and achieve a sort of absence although he or she remains in place. Or a person may go to India and yet be as present as always.
A version of us is always present. We are over-connected. We spy on each other from afar.
The quality of our absence is thus degraded. Absenceness is a precious resource we are fast running out of. Soon there will be nothing but presence. We will wish we could go away but will not be able to. The pain of constant presence will be too much for some to bear; it will be a torture like that of sleep deprivation. There will be a rash of virtual suicides, in which people disconnect themselves and appear to be dead. We will have virtual funerals for them. This will all come in time.- by Cary Tennis
Friday, July 24, 2009

Only after the last river has been poisoned
Only after the last fish has been caught
Only then will you find
you cannot eat money.
- Cree prophecy
Thursday, April 12, 2007
Kurt Vonnegut, 1922-2007
- By Lev Grossman, Original Article Here.
The proper length for an obituary for Kurt Vonnegut is three words: "So it goes." This one will do what Vonnegut never did, which is go on too long.
"So it goes" is a phrase from Vonnegut's novel Slaughterhouse-Five, or The Children's Crusade. It's an expression the Tralfamadorians — a race of four-dimensional aliens — repeat whenever somebody or something dies. It expresses a certain airy resignation about the inevitability of death. Vonnegut — who died Wednesday night at the age of 84 from injuries suffered in a fall — had the Tralfamadorian attitude. "I've been smoking Pall Mall unfiltered cigarettes since I was 12 or 14," he told Rolling Stone last year. "So I'm going to sue the Brown & Williamson Tobacco Company, who manufactured them. And do you know why? Because I'm 83 years old. The lying bastards! On the package Brown & Williamson promised to kill me."
Vonnegut was born Indianapolis in 1922, the son of an architect. His early life shows the kind of aimless lateral peregrinations of someone who was in the process of inventing a kind of person that hadn't really existed before. He put in a mediocre stint at Cornell before enlisting in the army in 1942, in the teeth of World War II. Shortly afterward — and within a year of each other — two events occurred that would prove to be formative for Vonnegut. In 1944, on Mother's Day, he came home on leave to discover that his mother, an unsuccessful writer, had committed suicide with sleeping pills. In December of that same year Vonnegut was captured during the Battle of the Bulge and sent to Dresden as a prisoner of war. On February 13, 1945 Dresden was leveled in a massive Allied bombing assault so intense it created an enormously destructive firestorm. Well over 130,000 people died. Vonnegut survived by hiding in the basement of a slaughterhouse.
Perhaps because he began his writing career fully disillusioned, Vonnegut's view of the world changed very little over his five decades as an author. His first novel, Player Piano, was published in 1952 and set in a spiritually empty, hyper-mechanized future dystopia. (Vonnegut mixed literature with science fiction long before it was cool.) His most famous novel — his personal favorite, and the one that deals with most directly with the Dresden disaster — is Slaughterhouse-Five, the story of one Billy Pilgrim, a man who becomes "unstuck in time": Billy experiences the events of his life in random order, including his own birth and his own death. Understandably, this imbues him with a weird, almost redemptive fatalism, which is echoed by the narrator, who is Vonnegut himself. "There would always be wars," he writes, "they were as easy to stop as glaciers... And even if wars didn't keep coming like glaciers, there would still be plain old death."
Vonnegut's sincerity, his willingness to scoff at received wisdom, is such that reading his work for the first time gives one the sense that everything else is rank hypocrisy. His opinion of human nature was low, and that low opinion applied to his heroes and his villains alike — he was endlessly disappointed in humanity and in himself, and he expressed that disappointment in a mixture of tar-black humor and deep despair. He could easily have become a crank, but he was too smart; he could have become a cynic, but there was something tender in his nature that he could never quite suppress; he could have become a bore, but even at his most despairing he had an endless willingness to entertain his readers: with drawings, jokes, sex, bizarre plot twists, science fiction, whatever it took.
Vonnegut struggled with silence and depression — including a suicide attempt in 1984 — but in all he managed to publish 14 novels, three short story collections, five plays and five works of non-fiction. His last book, Man Without a Country, a collection of essays published in 2005, was a surprise best-seller.
Although he died a literary celebrity, lionized by the culture of which he was so unsparing, Vonnegut was always drawn to outcasts and failures in his writing: criminals, the deformed, the exiled, the damaged, the insane, anyone who no longer had a stake in repeating society's familiar lies. The cast of Cat's Cradle includes one of those outcasts, a midget to whom Vonnegut gave the title speech:
"No wonder kids grow up crazy," the midget says. "A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's..."
"And?"
"No damn cat, and no damn cradle."Tuesday, March 13, 2007
School Lawn
From a display at Reed College, Portland, OR. Each white flag
represents six dead Iraqis since the beginning of the war, and each red
flag represents a dead US serviceman. Statistics come from the Lancet
survey of Iraqi mortality since 2003, published October 2006
